Rouge

In the vial - sharp and woody, though not particularly rosy Wet on the skin - very plummy but again a little sharp. It mellows a little as it warms, with a tiny breath of sandalwood. Once the blend has had a chance to develop and the rose itself has stepped out from behind the plum and wood notes, it's lovely. One to wear when you feel like being cool and aloof. It definitely smells highbrow and supercilious, like a Victorian lady scholar raising her eyebrows at you when you eat crumpets at your desk and drip butter on her precious literary volumes .

Interesting.Very interesting. This is a truly mysterious blend - it keeps reminding me of other scents, but it shifts so much that it's pull out any one note to identify it overall. I think I can smell some of Scarecrow's oil and dried grass, some of Bastet's deep saffron, and the deep almond of Salome. There's a strange but not unpleasant playdoh note as well. It's a surprisingly attractive and sweet, not at all what I was expecting from the description.

Wow. This is a gorgeously sweet, creamy almond. There's something fresh and bright about it, though, it doesn't give me a particularly cakey vibe. It's not much of a morpher, but it does seem to fade quite quickly. It's very, very similar to Lush's Snowcake soap and would be amazing layered on after a bath.

In the vial, this is deep and resonant. There's almost a coffee-like note which I imagine is the blend of tonka and tobacco. Wet on the skin the pumpkin is drier and less immediately foody than in other blends - more resinous and woody. The carnation also lends a certain amount of nose-tickling sharpness. Not my favourite of the pumpkin blends, but still sure to be a regular in my autumn-winter scent rotation!

This blend is so delicious that I actually did little sex noises. Ahem. In the vial it's sweet mead and rum, but on the skin there's a wonderfully sweet and poisonous little note of almond, like a sinister marzipan. There's a slight sourness and bitterness later in dry down, possibly from the mead, but on the whole it's rich and delicious.

Wet on the skin this is a green and resinous scent with a feeling of great wisdom and age. It's quite calming - the sort of scent that conjures up ancient libraries full of arcane scrolls and magical paraphernalia. Later stages and dry down bring out the sweeter frankincense notes, leaving a soft and pensive air behind them. This is quite unlike anything I would normally wear - I steer clear of green notes ads they often turn very sharp and sour on my skin, but it's nonetheless a keeper.

In the vial, this is surpassingly lovely. it's totally a scent for a pretty pink princess, with fresh, dewy roses with just a little zing from the rosehips. Wet on the skin there's a sharp soapiness to the rose, which takes some time to mellow. Drydown sees jasmine peeping shyly out from behind the other notes, and eventually the vanilla cream emerges to warm the blend. It's almost a journey of seduction. ;-) If you like this blend but are feeling less modest and more openly seductive, try Marguerite.

The first note i pure opium, heady and smoky and ominous. There are strong flowers in the background too, like a floral tribute on a grave. The cocunut is more like evil sun cream than tropical deliciousness - the smell of a crowd on a wild night out in summer in a that could erupt into violence at any point. Despite the sinister opening, the bend soon lightens as the lemon flower becomes more prominent. Later it settles back into smoke and musk. A fascinating blend!

Elegant and intelligent, this is the scent of a Victorian gentleman inventor's study stocked with leatherbound journals, cigars and brandy. The vanilla isn't foody in the slightest, just a tinge of sweetness around the edges of a gloriously refined and woody scent. On me this doesn't morph very much, but it seems to become stronger with wear, with an increasing throw.

This is lovely, but very very light - almost too light to notice. In the imp and wet on the skin the white sandalwood is most noticeable, followed by the most ephemeral of musks and a tiny hint of florals. There's hardly any throw, but it's nevertheless a comforting, serene blend. It would be an ideal bedtime scent.

This is wonderful. Dark, rich and sweet, but with enough of a woody note to stop it from being cloying. It's not much of a morpher on me; it's deep sweet wood and honey all the way. It's wonderfully long lasting, though.

Strong, sharp, heady rose. At first I smell nothing else, but this is not necessarily a bad thing. It mellows a little after a while. but remains dominantly rose, with little of the other floral or wood notes coming through. Very elegant, though!

This is a heady blend, with the myrrh lending an almost incense-like tone. It's very feminine and all-enveloping - it's something I can imagine the adepts of Cereus House from the Kushiel's Legacy books wearing.

Wet, this is a wonderfully bright and striking scent. The citrus notes fade quickly to leave a wonderfully spicy and lush blend of florals. This is like the complementary opposite of Fallen - the same rich and imperious vibes but without the shadowy melancholia.

Oh my word. Wet, this is rich buttery pumpkin with an autumnal smoky backdrop. It's a quick morpher on me, and soon develops into something that's gloriously woody and rich or overly foody ( hough in my view, foody is never a bad thing) Bonfire night heaven.