The Ligeia update is live, plus BPAL Liliths extended

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Quick announcement: The BPAL Liliths have been extended until December 8th. BPTP's Lilith's will be live until the evening of November 9th. Halloween scents and Ligeia are live until December 8th as well.
This year, we are ringing in the return of autumn by celebrating the life and undeath of one of our most cherished friends, Ligeia. Artwork by Ivonne Carley and Harry Clarke.




And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will.

THE RADIANCE OF AN OPIUM-DREAM

There is one dear topic, however, on which my memory fails me not. It is the person of Ligeia. In stature she was tall, somewhat slender, and, in her latter days, even emaciated. I would in vain attempt to portray the majesty, the quiet ease, of her demeanor, or the incomprehensible lightness and elasticity of her footfall. She came and departed as a shadow. I was never made aware of her entrance into my closed study save by the dear music of her low sweet voice, as she placed her marble hand upon my shoulder. In beauty of face no maiden ever equalled her. It was the radiance of an opium-dream --an airy and spirit-lifting vision more wildly divine than the phantasies which hovered vision about the slumbering souls of the daughters of Delos.

A haze of tuberose, pale jasmine, vanilla orchid, and lily, with a faint jagged edge of opium tar.


SOME STRANGENESS IN THE PROPORTION

Yet her features were not of that regular mould which we have been falsely taught to worship in the classical labors of the heathen. "There is no exquisite beauty," says Bacon, Lord Verulam, speaking truly of all the forms and genera of beauty, without some strangeness in the proportion." Yet, although I saw that the features of Ligeia were not of a classic regularity --although I perceived that her loveliness was indeed "exquisite," and felt that there was much of "strangeness" pervading it, yet I have tried in vain to detect the irregularity and to trace home my own perception of "the strange."

Rich vanilla sandalwood elegantly distorted by oudh, labdanum, scarlet saffron, and pink pepper.


THE TUMULTUOUS VULTURES OF STERN PASSION

Of all the women whom I have ever known, she, the outwardly calm, the ever-placid Ligeia, was the most violently a prey to the tumultuous vultures of stern passion. And of such passion I could form no estimate, save by the miraculous expansion of those eyes which at once so delighted and appalled me --by the almost magical melody, modulation, distinctness and placidity of her very low voice --and by the fierce energy (rendered doubly effective by contrast with her manner of utterance) of the wild words which she habitually uttered.

Of such passion, I could form no estimate: sanguine red musk, red benzoin, wild plum, vetiver tar, and Indonesian patchouli beneath a still pool of sheer white musk and vanilla-gilded lily.


VERDANT DECAY

Ligeia had brought me far more, very far more than ordinarily falls to the lot of mortals. After a few months, therefore, of weary and aimless wandering, I purchased, and put in some repair, an abbey, which I shall not name, in one of the wildest and least frequented portions of fair England. The gloomy and dreary grandeur of the building, the almost savage aspect of the domain, the many melancholy and time-honored memories connected with both, had much in unison with the feelings of utter abandonment which had driven me into that remote and unsocial region of the country. Yet although the external abbey, with its verdant decay hanging about it, suffered but little alteration, I gave way, with a child-like perversity, and perchance with a faint hope of alleviating my sorrows, to a display of more than regal magnificence within

A claustrophobic thicket of yew, cypress, and drooping oak grown wild with dense mounds of bittersweet nightshade, gleaming white foxglove, creeping black ivy, clusters of marshy false morel and fly agaric, and a smear of crushed, overripe baneberries.


INCIPIENT MADNESS

Alas, I feel how much even of incipient madness might have been discovered in the gorgeous and fantastic draperies, in the solemn carvings of Egypt, in the wild cornices and furniture, in the Bedlam patterns of the carpets of tufted gold! I had become a bounden slave in the trammels of opium, and my labors and my orders had taken a coloring from my dreams.

A thunderous passion, conceived in obsession and nurtured in the bowels of delirium, that grasps in desperation through the darkest shadows of the ether. An unwholesome smoky musk, dark and sweet, laced with Virginia tobacco, honeyed black currant, red patchouli.


FETTERED IN THE SHACKLES OF THE DRUG

In the excitement of my opium dreams (for I was habitually fettered in the shackles of the drug) I would call aloud upon her name, during the silence of the night, or among the sheltered recesses of the glens by day, as if, through the wild eagerness, the solemn passion, the consuming ardor of my longing for the departed, I could restore her to the pathway she had abandoned --ah, could it be forever? --upon the earth.

Sweet opium smoke, neroli, yellow bergamot, and piquant, strange star anise.


A BRILLIANT AND RUBY COLORED FLUID

It was then that I became distinctly aware of a gentle footfall upon the carpet, and near the couch; and in a second thereafter, as Rowena was in the act of raising the wine to her lips, I saw, or may have dreamed that I saw, fall within the goblet, as if from some invisible spring in the atmosphere of the room, three or four large drops of a brilliant and ruby colored fluid. If this I saw --not so Rowena. She swallowed the wine unhesitatingly, and I forbore to speak to her of a circumstance which must, after all, I considered, have been but the suggestion of a vivid imagination, rendered morbidly active by the terror of the lady, by the opium, and by the hour.

A spectre's poison: unknowable strange toxins dribbled into warmed red wine.


A TREMOR UPON THE LIPS

I listened -- in extremity of horror. The sound came again -- it was a sigh. Rushing to the corpse, I saw -- distinctly saw -- a tremor upon the lips.

The stirring of another's heartbeat within your chest, the vacuum of a stranger's breath within your lungs: Laotian oudh, carrot seed, white orris, and bitter raw frankincense chilled by elemi and eucalyptus blossom.


BEWILDERED IN A DREAM

The greater part of the fearful night had worn away, and she who had been dead, once again stirred --and now more vigorously than hitherto, although arousing from a dissolution more appalling in its utter hopelessness than any. I had long ceased to struggle or to move, and remained sitting rigidly upon the ottoman, a helpless prey to a whirl of violent emotions, of which extreme awe was perhaps the least terrible, the least consuming. The corpse, I repeat, stirred, and now more vigorously than before. The hues of life flushed up with unwonted energy into the countenance --the limbs relaxed --and, save that the eyelids were yet pressed heavily together, and that the bandages and draperies of the grave still imparted their charnel character to the figure, I might have dreamed that Rowena had indeed shaken off, utterly, the fetters of Death. But if this idea was not, even then, altogether adopted, I could at least doubt no longer, when, arising from the bed, tottering, with feeble steps, with closed eyes, and with the manner of one bewildered in a dream, the thing that was enshrouded advanced boldly and palpably into the middle of the apartment.

A disorienting eddy of French lavender, black tea, orange blossom, sharp green tea leaf, pink flowering thorn, and a blot of inky resins.


BLACKER THAN THE RAVEN WINGS OF THE MIDNIGHT

Shrinking from my touch, she let fall from her head, unloosened, the ghastly cerements which had confined it, and there streamed forth, into the rushing atmosphere of the chamber, huge masses of long and dishevelled hair; it was blacker than the raven wings of the midnight! And now slowly opened the eyes of the figure which stood before me. "Here then, at least," I shrieked aloud, "can I never --can I never be mistaken --these are the full, and the black, and the wild eyes --of my lost love --of the lady --of the LADY LIGEIA."

The scent of Ligeia reborn: black tea leaf fougere with black sandalwood, opalescent vanilla, osmanthus, 18-year aged Indonesian patchouli, and the suggestion of ancient incense smoke.
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