Celebrate Poe Day at Dark Delicacies

[wickedgoddess]

On Sunday, October 7th, the anniversary of Poe’s death, Dark Delicacies will be celebrating the master’s legacy with an entire day of special events.

 

Gris Grimly will be signing at 1pm, from 2 to 4pm there will be a children’s reading of Poe with arts and crafts, and there will be a mock seance with Shakespeare at Play from 7 to 11pm.

 

Dark Delicacies will be collecting new children’s books to donate to the L.A. school system.

 

 

 

And……

 

 

 

The following scents from the 2007 Dark Delicacies exclusive Poe series will be available, in limited quantities, while supplies last:

 

 

 

ALONE

From childhood’s hour I have not been

As others were; I have not seen

As others saw; I could not bring

My passions from a common spring.

From the same source I have not taken

My sorrow; I could not awaken

My heart to joy at the same tone;

And all I loved, I loved alone.

Then – in my childhood, in the dawn

Of a most stormy life – was drawn

From every depth of good and ill

The mystery which binds me still:

From the torrent, or the fountain,

From the red cliff of the mountain,

From the sun that round me rolled

In its autumn tint of gold,

From the lightning in the sky

As it passed me flying by,

From the thunder and the storm,

And the cloud that took the form

(When the rest of Heaven was blue)

Of a demon in my view.

 

A hectic, frenzied pinpoint in desolation: booming, bleak, and dark with the horror of loneliness and reluctant solitude. Patchouli and cardamom with bright mandarin, labdanum, muguet, red sandalwood, angelica and gardenia.

 

 

 

 

 

THE HAUNTED PALACE

In the greenest of our valleys

By good angels tenanted,

Once a fair and stately palace -

Radiant palace – reared its head.

In the monarch Thought’s dominion -

It stood there!

Never seraph spread a pinion

Over fabric half so fair!

 

Banners yellow, glorious, golden,

On its roof did float and flow,

(This – all this – was in the olden

Time long ago,)

And every gentle air that dallied,

In that sweet day,

Along the ramparts plumed and pallid,

A winged odor went away.

 

Wanderers in that happy valley,

Through two luminous windows, saw

Spirits moving musically,

To a lute’s well-tuned law,

Round about a throne where, sitting

(Porphyrogene!)

In state his glory well-befitting,

The ruler of the realm was seen.

 

And all with pearl and ruby glowing

Was the fair palace door,

Through which came flowing, flowing, flowing,

And sparkling evermore,

A troop of Echoes, whose sweet duty

Was but to sing,

In voices of surpassing beauty,

The wit and wisdom of their king.

 

But evil things, in robes of sorrow,

Assailed the monarch’s high estate.

(Ah, let us mourn! – for never morrow

Shall dawn upon him desolate!)

And round about his home the glory

That blushed and bloomed,

Is but a dim-remembered story

Of the old time entombed.

 

And travellers, now, within that valley,

Through the red-litten windows see

Vast forms, that move fantastically

To a discordant melody,

While, like a ghastly rapid river,

Through the pale door

A hideous throng rush out forever

And laugh – but smile no more.

 

The moment before the ruin, frozen. The scent of captured glory, of glowing pearls and rubies, of golden sunlit joy and regal grandeur: red rose, Tunisian amber, blood orange, toasted vanilla, heliotrope, gardenia and red musk.

 

 

 

 

 

THE HOUSE

Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of the specious totality of old wood-work which has rotted for long years in some neglected vault, with no disturbance from the breath of the external air. Beyond this indication of extensive decay, however, the fabric gave little token of instability. Perhaps the eye of a scrutinising observer might have discovered a barely perceptible fissure, which, extending from the roof of the building in front, made its way down the wall in a zigzag direction, until it became lost in the sullen waters of the tarn.

 

Rotted ebony wood, faded incense, moldy earth, creeping moss, and blighted roses.

 

 

 

LENORE

Ah, broken is the golden bowl! the spirit flown forever!

Let the bell toll! – a saintly soul floats on the Stygian river;

And, Guy de Vere, hast thou no tear? – weep now or nevermore!

See! on yon drear and rigid bier low lies thy love, Lenore!

Come! let the burial rite be read – the funeral song be sung! -

An anthem for the queenliest dead that ever died so young -

A dirge for her the doubly dead in that she died so young.

 

“Wretches! ye loved her for her wealth and hated her for her pride,

And when she fell in feeble health, ye blessed her – that she died!

How shall the ritual, then, be read? – the requiem how be sung

By you – by yours, the evil eye, – by yours, the slanderous tongue

That did to death the innocence that died, and died so young?”

 

Peccavimus; but rave not thus! and let a Sabbath song

Go up to God so solemnly the dead may feel no wrong.

The sweet Lenore hath “gone before,” with Hope, that flew beside,

Leaving thee wild for the dear child that should have been thy bride.

For her, the fair and debonair, that now so lowly lies,

The life upon her yellow hair but not within her eyes

The life still there, upon her hair – the death upon her eyes.

 

“Avaunt! avaunt! from fiends below, the indignant ghost is riven -

From Hell unto a high estate far up within the Heaven -

From grief and groan, to a golden throne, beside the King of Heaven!

Let no bell toll, then, – lest her soul, amid its hallowed mirth,

Should catch the note as it doth float up from the damned Earth!

And I! – to-night my heart is light! – no dirge will I upraise,

But waft the angel on her flight with a Paean of old days!”

 

A dark and bellicose scent that speaks of loss, lament, bitterness and breast-beating woe: thick black vetiver, sharp white musk and lemon peel, smoke and saffron, patchouli, thyme and black plum.

 

 

 

 

 

MADELINE

He admitted, however, although with hesitation, that much of the peculiar gloom which thus afflicted him could be traced to a more natural and far more palpable origin –to the severe and long-continued illness — indeed to the evidently approaching dissolution-of a tenderly beloved sister –his sole companion for long years — his last and only relative on earth. “Her decease,” he said, with a bitterness which I can never forget, “would leave him (him the hopeless and the frail) the last of the ancient race of the Ushers.” While he spoke, the lady Madeline (for so was she called) passed slowly through a remote portion of the apartment, and, without having noticed my presence, disappeared. I regarded her with an utter astonishment not unmingled with dread — and yet I found it impossible to account for such feelings. A sensation of stupor oppressed me, as my eyes followed her retreating steps. When a door, at length, closed upon her, my glance sought instinctively and eagerly the countenance of the brother –but he had buried his face in his hands, and I could only perceive that a far more than ordinary wanness had overspread the emaciated fingers through which trickled many passionate tears.

 

The mockery of a faint blush upon the bosom and the face, and that suspiciously lingering smile upon the lip which is so terrible in death white rose, calla lily, ti leaf, myrrh, stephanotis, casket wood, upturned earth, and wilted ivy.

 

 

 

 

 

THE MASQUE

He had directed, in great part, the moveable embellishments of the seven chambers, upon occasion of this great fete; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm — much of what has been since seen in “Hernani.” There were arabesque figures with unsuited limbs and appointments. There were delirious fancies such as the madman fashions. There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these — the dreams — writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away — they have endured but an instant — and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many-tinted windows through which stream the rays from the tripods. But to the chamber which lies most westwardly of the seven, there are now none of the maskers who venture; for the night is waning away; and there flows a ruddier light through the blood-colored panes; and the blackness of the sable drapery appals; and to him whose foot falls upon the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches their ears who indulge in the more remote gaieties of the other apartments. But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length there commenced the sounding of midnight upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps, that more of thought crept, with more of time, into the meditations of the thoughtful among those who reveled.

 

And thus, too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumor of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive of disapprobation and surprise — then, finally, of terror, of horror, and of disgust.

 

Bold and fiery, glowing with barbaric luster: this is the scent of the House of Prospero, the scent of hubris, mad revelry, folly and indifferent decadence, a measured passage through its lurid corridors and seven grotesque apartments. Honey and carnation, rich incense and rose accord, myrtle, red sandalwood, amber, jonquil and clove propel you through the revel, finally seating itself in the final, patchouli, tobacco and labdanum drenched darkness of the blood-tinged western chamber.

 

 

 

 

 

THE PIT AND THE PENDULUM

I was sick — sick unto death with that long agony; and when they at length unbound me, and I was permitted to sit, I felt that my senses were leaving me. The sentence — the dread sentence of death — was the last of distinct accentuation which reached my ears. After that, the sound of the inquisitorial voices seemed merged in one dreamy indeterminate hum. It conveyed to my soul the idea of revolution — perhaps from its association in fancy with the burr of a mill wheel. This only for a brief period; for presently I heard no more. Yet, for a while, I saw; but with how terrible an exaggeration! I saw the lips of the black-robed judges. They appeared to me white — whiter than the sheet upon which I trace these words — and thin even to grotesqueness; thin with the intensity of their expression of firmness — of immoveable resolution — of stern contempt of human torture. I saw that the decrees of what to me was Fate, were still issuing from those lips. I saw them writhe with a deadly locution. I saw them fashion the syllables of my name; and I shuddered because no sound succeeded. I saw, too, for a few moments of delirious horror, the soft and nearly imperceptible waving of the sable draperies which enwrapped the walls of the apartment. And then my vision fell upon the seven tall candles upon the table. At first they wore the aspect of charity, and seemed white and slender angels who would save me; but then, all at once, there came a most deadly nausea over my spirit, and I felt every fibre in my frame thrill as if I had touched the wire of a galvanic battery, while the angel forms became meaningless spectres, with heads of flame, and I saw that from them there would be no help. And then there stole into my fancy, like a rich musical note, the thought of what sweet rest there must be in the grave. The thought came gently and stealthily, and it seemed long before it attained full appreciation; but just as my spirit came at length properly to feel and entertain it, the figures of the judges vanished, as if magically, from before me; the tall candles sank into nothingness; their flames went out utterly; the blackness of darkness supervened; all sensations appeared swallowed up in a mad rushing descent as of the soul into Hades. Then silence, and stillness, night were the universe.

 

The depths of despair, a dark Ecclesiastical triumph: the incense of the Inquisition.

 

 

 

 

 

PREMATURE BURIAL

For some minutes after this fancy possessed me, I remained without motion. And why? I could not summon courage to move. I dared not make the effort which was to satisfy me of my fate — and yet there was something at my heart which whispered me it was sure. Despair — such as no other species of wretchedness ever calls into being — despair alone urged me, after long irresolution, to uplift the heavy lids of my eyes. I uplifted them. It was dark — all dark. I knew that the fit was over. I knew that the crisis of my disorder had long passed. I knew that I had now fully recovered the use of my visual faculties — and yet it was dark — all dark — the intense and utter raylessness of the Night that endureth for evermore.

 

I endeavored to shriek-, and my lips and my parched tongue moved convulsively together in the attempt — but no voice issued from the cavernous lungs, which oppressed as if by the weight of some incumbent mountain, gasped and palpitated, with the heart, at every elaborate and struggling inspiration.

 

The movement of the jaws, in this effort to cry aloud, showed me that they were bound up, as is usual with the dead. I felt, too, that I lay upon some hard substance, and by something similar my sides were, also, closely compressed. So far, I had not ventured to stir any of my limbs — but now I violently threw up my arms, which had been lying at length, with the wrists crossed. They struck a solid wooden substance, which extended above my person at an elevation of not more than six inches from my face. I could no longer doubt that I reposed within a coffin at last.

 

And now, amid all my infinite miseries, came sweetly the cherub Hope — for I thought of my precautions. I writhed, and made spasmodic exertions to force open the lid: it would not move. I felt my wrists for the bell-rope: it was not to be found. And now the Comforter fled for ever, and a still sterner Despair reigned triumphant; for I could not help perceiving the absence of the paddings which I had so carefully prepared — and then, too, there came suddenly to my nostrils the strong peculiar odor of moist earth. The conclusion was irresistible. I was not within the vault. I had fallen into a trance while absent from home-while among strangers — when, or how, I could not remember — and it was they who had buried me as a dog — nailed up in some common coffin — and thrust deep, deep, and for ever, into some ordinary and nameless grave.

 

As this awful conviction forced itself, thus, into the innermost chambers of my soul, I once again struggled to cry aloud. And in this second endeavor I succeeded. A long, wild, and continuous shriek, or yell of agony, resounded through the realms of the subterranean Night.

 

Oppressive darkness, expressed through black orchid and patchouli, smothered by wet soil, a coffin’s teakwood, and the funereal gloom of cypress.

 

 

 

 

 

PROSPERO

The “Red Death” had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avator and its seal – the redness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour.

 

But the Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys. This was an extensive and magnificent structure, the creation of the prince’s own eccentric yet august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts. They resolved to leave means neither of ingress or egress to the sudden impulses of despair or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve, or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the “Red Death.”

 

There was beauty, there was wine: a rich Sangiovese vintage swirled through opulent amber, rich plum, champaca flower, and arrogant white musk.

 

 

 

 

 

SPIRITS OF THE DEAD

Thy soul shall find itself alone

‘Mid dark thoughts of the grey tomb-stone;

Not one, of all the crowd, to pry

Into thine hour of secrecy.

 

Be silent in that solitude,

Which is not loneliness – for then

The spirits of the dead, who stood

In life before thee, are again

In death around thee, and their will

Shall overshadow thee; be still.

 

The night, though clear, shall frown,

And the stars shall not look down

From their high thrones in the Heaven

With light like hope to mortals given,

But their red orbs, without beam,

To thy weariness shall seem

As a burning and a fever

Which would cling to thee for ever.

 

Now are thoughts thou shalt not banish,

Now are visions ne’er to vanish;

From thy spirit shall they pass

No more, like dew-drop from the grass.

 

The breeze, the breath of God, is still,

And the mist upon the hill

Shadowy, shadowy, yet unbroken,

Is a symbol and a token.

How it hangs upon the trees,

A mystery of mysteries!

 

A shuddering white scent, of ghostly breath and stony silence: dry tea leaf, linden blossom, papyrus, orris and coffin wood.

 

 

 

 

 

Dark Delicacies

3512 W. Magnolia Blvd

(1 block east of Hollywood Way)

Burbank, CA 91505

www.darkdel.com