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Showing results for tags 'Tabula Selenographica'.
Found 21 results
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The Bay of Love: red sandalwood and velvet-thick vanilla with red pepper, oudh, Ethiopian myrrh, and champaca blossom. In The Bottle: The champaca blossom and myrrh combine and are doing this thing that somehow smells like a flower that emits baby powder. Odd. Very very odd. Wet On Skin: Wow. Many years ago I had this incense that smelled like blue lotus powder, if such a thing existed. This smells like that, and also, the red sandalwood is coming around now, all spicy and rich and smelling like another beloved scent of my youth, Bain de Soliel suntan gelee. Incredible. Dry Down: Wow, again. this scent is a bit of a morphed, and truth be told, I'm glad- myrrh tends to become pure talcum powder on my skin and makes me sad. But the myrrh has faded into the background and this scent has become rich, spicy and sexy, like a well-loved riding crop and the vanilla musk of a person's natural sweat. I think I'm in love.
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The Harbinger of the Dawn: shimmering mugwort-infused crystalline musk painted by a glowing arc of sheer vanilla, pink grapefruit, honeyed benzoin, almond blossom, tangerine rind, rose water, green cognac, and neroli. Montes Harbinger is so pretty, like a sparkling, citrusy play of light above a very gentle musk. No one note overshadows on my skin, and it's hard to pin down any individual one as they're as fleeting as the jittery prisms cast by a spinning crystal in a window. On the drydown I think I smell the rose water and the almond blossom, and then I catch the grapefruit and tangerine. There's just a hint of vanilla to it—the balance of citrus and the grounding benzoin and musk keep the blend from being too sweet, at least on me. This would be a great BPAL for work or a day when I want something clean and light but with real complexity.
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The Sea of Vapors: white sandalwood, smoky oudh, golden amber, bourbon vanilla, and black jasmine. Gorgeous! I love when Jasmine and Sandalwood mix, it's just a perfect scent combo for me. The Jasmine is strong in this (on me but my skin does amp up Jasmine in a good way) and the Bourbon Vanilla is just so faint it's almost haunting in the backdrop.
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The Land of Cheerfulness: blood orange and apricot with Chinese geranium, Italian bergamot, langsat pulp, cardamom, white peach, and white sandalwood. On me, this is bright and cheery - very citrus heavy with the predominant note being bergamot. It reminds me strongly of some of the "metal" Chinese new year scents. On dry down, I get a touch of the peach and sandalwood. I got no cardamom or geranium at all. So pretty and so perfect for spring. This was my first lunacy in ages and I love it.
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The Land of Insanities. Shrieking white tobacco flower and geranium pepper streaked by high-pitched wails of orange blossom, neroli, and elemi, all obscured by a disorienting veil of orris and violet root. So excited for this new Lunacy theme! In the bottle, it's a high-pitched, white lunar herbal, leaning heavily towards herbal. First applied, it's still light and herbal, but has the weight of a highly refined unisex cologne-- perhaps leaning a bit towards an aquatic. The neroli and elemi combine to form an airy-cool scent that is neither one nor the other, but brings wisps of rich herbal coolness with very light throw. The pepper adds a little kick. I don't smell the tobacco flower, per se. But I think it's in there, delicately adding a white roundness that completes the scent. As it dries, it goes through a short "soapy" phase-- but only the best, french-milled, tiny niche shop soap, you understand -- where it's a bit too white and too high-pitched. This phase fades quickly. It could be due to the bottle having just ended its journey this afternoon, being born only slightly earlier than that. It's anyone guess. When the scent has settled into the skin, there is more tobacco flower. It's cooler and rounder, with the orris adding a fine, powdery quality, like moondust. As it fades, there's mostly sweet orris-- a little powdery-- buoyed by a soft breath of tobacco flower. The impression this scent gives is of a cool, dark field of grey sand, under a black sky, where the earth has replaced the moon. And maybe it's comforting that no one can hear you scream. This blend is pretty fabulous, greater than the sum of its parts, and highly wearable.
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The Ocean of Storms: crystallized salt and opalescent moon stones buffeted by an illusion of wave-thrashed kelp and tattered seaweed. I adore it! On me, it's a warm, green aquatic with something a little...dusty/dry in the back. I don't have enough experience with individual notes to pick it out, but it's really gorgeous! The more I wear it, the more I get an almost...melancholy...vibe. It's not so much an ocean, as it is the memory of an ocean. Or maybe, the memory of an ocean that might have been, had the universe twisted in a slightly different way. It actually makes me think of Myst Island, in a way. Which is AWESOME!!!
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The Lake of Solitude: a scent of introspection and introversion. Meditative white sandalwood with rosewood, Roman chamomile, white lavender, marjoram, Himalayan cedar, and oudh. Cedar, lavendar, oudh. Beautifully, seamlessly blended. Wow. The sandalwood and marjoram provide a soft/sharp contrast for the bottom. The chamomile is light and soft and beautiful. I opened this late last night after a long day of travel and after one sniff, i needed to wear it to sleep, and it let me sleep soundly. I adore this and will treasure my bottle. Sorry this first review isnt more descriptive...i just wanted to.share my impression. :-)
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The Marsh of Corruption: murky patchouli and dank oakmoss drowning in a mire of leathery bourbon vanilla, bitter clove, bog cypress, cumin, and vetiver. In the bottle: Murky bog water. Literally, this smells like the murky water and scrub oaks in the marshes up in the Rocky Mountains. Wet on my skin: ALL the vetiver and patchouli, with a bit of leather. Dry: This is incredibly evocative of the scent description. I don't know how, but it does actually smell like a marsh at first. This is definitely vetiver and patchouli dominant on me at first, with oakmoss and the leathery vanilla coming in under it. More leather than vanilla there, definitely. As it continues to dry and warm on me, the clove and cumin start coming out just enough to spice up the dank, damp bogginess of the rest of it. There's just enough cypress to "green" the scent, taking it from muddy brown to a muddy green-brown. The cypress isn't there really as a note in itself, and is under even the clove and cumin in terms of its presence. This is a fairly masculine scent, and I happen to really, really enjoy it. Definitely one for patch/vetiver lovers.
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The Lake of Forgetfulness: a deep, still pool of lavender, aged benzoin and patchouli, frankincense, and sorrow-honeyed ylang ylang. Deep beneath, there is a touch of fig's sweetness and amber's golden light. The ylang ylang makes this powdery...but overall it is truly a beautiful scent. Frankincense, benzoin, and the lavender swirl together in a wild dance with the ylang, ylang and crescendo higher and higher while wet. Dry...this scent crashes into a beautiful ylang and amber scent on my skin. Not a lot of fig here but I think some aging will help with that. This will truly be a beautiful scent once some of the ylang ylang settles down. I just got this bottle today so right now it and the amber are the loudest notes on my skin.
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The Lake of Goodness. A perfume that inspires philanthropy while fostering kindness, affection, and compassion: sweet amber with rose geranium, lavender, amyris, motherwort, orange blossom, honey, apple peel, and angelica root. I was a little worried about what the herbal notes in Lacus Bonitatis would do, but I needn't have worried--I don't get them at all. This scent, on me, is dominated by the amber, orange blossom, and an orangey fruit note that I think may be a combination of the orange blossom and rose geranium. This orangey note is the most prominent note in the early going. It's a sweet, bright impression of orange or maybe of neroli, definitely the fruit and not the flower. Next to this is the amber, which is vanillic here, and the overall impression is kind of creamsicle-ish. The orange blossom is slightly perceptible underneath these other two notes. So it's a slightly floral creamsicle. It does this for a few hours, and then the fruit note fades out in the drydown, leaving a blend of the vanillic amber, the orange blossom, and I think some of the honey. There are some blends where these notes are kind of smutty; not here. Lacus Bonitatis has an innocent air about it. This is sweet, cheerful, and definitely hot-weather-worthy. I don't regret pouncing on this one.
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The Lake of Hate: blood musk, pink pepper, and neroli boiling in a seething mire of saffron. This had me at "blood musk", and as a big fan of Beth's blood accord, it lives up to any and all evil, sultry, blood-soaked expectations I had for it. It's basically the love child of Blood (GC) and Oceans of Love and Millions of Kisses bath oil. It has that ridiculously sexy blood note entwined with come-hither musk (there has to be red musk in here somewhere), but it's also so much more than that. Neroli gives it a heady, almost honeyed feel that receives a sensual warmth and flame from the saffron. If I hadn't known there was no honey note in this, I would have guessed there was. It's a scent that burns with two colors of fire. Whereas the blood musk and slight bite of pink pepper give this moon its red fury, the neroli and saffron swirl the Lake of Hate with molten gold. Seething and boiling indeed, but in a really good way.
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The Lake of Death: narcotic indole, pale asphodel, and bone-white sandalwood plunged into in an impenetrable sea of black patchouli, labdanum, castoreum accord, and oak moss. im still a newb deep in my soul so idk if im supposed to snap up first review or not but here i go! bought this one as fast as i could, i loved the sound of it. and it doesn't disappoint! in bottle; very dark! i find it pretty masculine, almost like how cologne smells in the bottle but with delectable richness. i get labdanum, sandalwood and patchouli but it's so lovely and dark. wet; a spicy musk, but the oak moss comes out full-force. still masculine, but a sweetness plays on the edges. dry; sharp and very dark. the moss and sandalwood carry the rest of the notes, but it's such a complex, sophisticated scent. very masculine on me, though, which i don't mind at all but others might. would absolutely recommend!
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The Bay of Rainbows: red currant, orange blossom, yellow lemon peel, green moss, blue violet, and indigo poppy refracted through a shimmering pool of golden musk, mugwort, champa attar, and saffron-infused agarwood. When it's wet the main note I pick up is the redcurrant, with a slightly woody note. Once it dries down I'm finding it very hard to pick out individual notes on this as it all blends so beautifully together - if I try to concentrate on picking out a note it seems to shimmer and change quite a bit. Overall a fruity sort of incense, not overpowering and very gently musky. I don't really pick up the green moss and the noticable currant vanished as it dried but there's still a sweet and fruity note. i find myself wishing that the moss and the lemon shone through a bit more on me but it's hellishly hot here so I will retry when the weather cools down.
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The Island of Winds: chilled white tea leaf, astringent white musk, and eucalyptus petals biting through ragged osmanthus blossoms, crystallized white amber, and ice-limned cedarwood. I'd blindly bought Insula Ventorum based on multiple Willcall reviewers comparing it to Spirits of the Dead (which is a longtime favorite of mine), but was shocked to find it not what I expected at all. To tell you the truth, I can't shake the feeling that this reminds me a lot more like Okayaki. So I looked up the notes to both and compared them this way: IV has Tea, Okayaki had Bergamot - both lemony like. IV has Osmanthus blossoms, Okayaki had Olive blossoms. Both IV and Okayaki share a similar Amber note. Both IV and Okayaki share a similar Icy note. I can also see a similarity to Spirits of the Dead, which shares Tea, Blossom and Wood notes. But it's that Icy Amber part of IV that pushes it to Okayaki territory for me. A love child of Okayaki and Spirits of the Dead perhaps? I had let go of my bottle of Okayaki awhile back, when it aged into something I couldn't wear. I think I'll hang onto IV for awhile and see where it goes. [Oct 30]: I found my decant of Okayaki, so I skintested all 3 - Okayaki and Spirits of the Dead on one arm and Insula Ventorum on the other. Reviews were correct that IV *is* more like SotD, but when I layered Okayaki over the SotD, it was so much closer to IV. [Apr 22]: I'm glad I kept my bottle of IV - it's aging wonderfully and has become a favorite.
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The Sea of Crises. A discordant, clashing shock of petitgrain, rosemary, and fir needle, roiling with fiery mandarin and acerbic lime. Bright pop of lime, hits of mandarin and drops of petitgrain and rosemary. So this is discordant. It's a clash of lime, mandarin and other herbally smelling things. It's sharp, and stabs your nose and in general I'd say that this is the perfume equivalent of being roiled by sea waves. You know, when you dive your head down and suddenly you don't know which way is up anymore. On wet, it was almost unpleasant because of how strident it is. After it's dried for about 45 minutes, it calms down a lot but not enough that it doesn't just hit you. It just doesn't punch your daylights out.
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A scent of dreams and portents, strange omens, and palpable mystery. The blood moon passing through the earth’s shadow: mugwort, moonwort, and black lotus reddened by pimento, smoked carnation, red musk, and red rose petals, all shadowed by tobacco absolute, bourbon vanilla, Peru balsam, leather accord, and myrrh. In the bottle: There is a musty herbal smell that overshadows the other notes. I think that must be the mugwort, it reminds me very much of the musty note in Winter Stars. Underneath, I can just make out a heady floral, but nothing I could identify. On skin: The mustiness fades almost immediately. It turns into something akin to rose incense, unlit and with a hint of something spicy. I get the impression of very red, very hot and very dry. (It doesn't seem like a head shop sort of incense at all, it is more familiar and feminine.) If I put my nose to my wrist I can make out tobacco and something vanilla. It is a bit like the Antikythera Mechanism, but instead of golden and oiled, it is red and scorched. It is a surprising smell, and I think giving a little resting time (I tried this just a few hours out of the mail box) might bring out more depth.
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The Marsh of Frogs: weedy green musk, three boggy mosses, water lettuce, and water hyacinth against a backdrop of glittering moon rocks. First things first, this is not a dank/boggy/wet vegetation scent! When first applied I get a fairly strong blast of high pitched white flowers (they're reminding me strongly of Zephyr.. I imagine it's the "water hyacinth" a note I'm not that familiar with). Peeking out from behind those flowers is a sharp green note-- kind of like stems, but also recognizable as containing some of the "lettuce" note from The Last Unicorn. It disappears almost immediately and that is the end of anything resembling actual greenery here. As the blend dries down the floral aspect morphs, becoming softer and, honestly, dryer-sheet-like (Zephyr does that to me too). The other notes then emerge: the "moon rocks" (soft, powdery, very slightly sweet), the decidedly aquatic musk (thin and slippery; no deepness or furriness here), and the mosses (kind of a dry green scent). The musk and mosses combine to give a fairly masculine, aquatic-cologne vibe. The throw I get is clean, soft, cologney white floral. I hope a little aging brings out the musk/powdery rocks more. I know some people might be wondering how this compares to a couple other beloved "rock" blends-- Staged Moon Landing and Black Opal. Dont get your hopes up.. Those two are more alike than this is to either of those blends. All three have a powdery/soft base that might be vanilla in origin, but I personally think any comparison ends there. This blend has none of the sweetness those blend do.
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The Land of Heat: red musk flickering with hot red amber, red pepper, scorched thyme, frankincense, green cardamom, and Ceylon cinnamon. This is an unusual and intriguing semi-dry blend comprised of an almost but not too red hots candy cinnamon with flares of dried red pepper and cardamom, tempered with amber and frankincense, with a teensy bit of thyme giving it a faint herbal note. Certainly a hot smelling blend but as of this brief wrist skin test, not a burning skin blend. Slightly but not overly sweet, and though the cinnamon reminds me a bit of red hots candy it is not overly foody either. The focus of this blend on me goes towards a very hot, spicy, amber resin. I am looking forward to doing a full body run on this one because so far this is a standout.
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The Sea of Fecundity: clove and allspice with chamomile, strawberry leaf, sweetly aged patchouli, squill root, acorns, and bright mosses. Stealth frimp from another wonderful BPALista. You know who you are! Mare Forecunditas is heavily clove and allspice, with a touch of acorns. It stops being overtly foodie with a touch of patchouli and slightly aquatic moss. I feel like chamomile bring a slight herbal bitterness toward the end. Definitely loads of clove and allspice. Mmmm, allspice. This smells like FALL. You know all of those fall things you love - the spices in everything, the smell of dirt, the slight chill in the wind. UGH. Beautiful. In a lot of ways, this reminds me to Harvest Moon 2005 in vibe. I don't think they share any common notes at all, but the feel of having bottle the Autumn season is right there. ETA: From the bottle, I got a ton more patch/clove/allspice which made it smell like burnt fall leaves. Which again is amazing for the Fall.
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The Peninsula of Thunder. A rolling, booming scent, heavy with foreboding and bristling with peril: scorched ebony wood, raw myrrh, blackened benzoin, Tunisian black musk, bourbon vetiver, black copal, and a sharp, yellow-white blast of cognac and chaulmoogra. Oh man, this one was a little disturbing. It was cedar and dirty patchouli dominant. Which meant, it smelled like smoked, burnt wood (that been the wood and vetiver thrown in together).
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The Lake of Sorrow: the plaintive wail of a bleak, pale chypre with carrot seed, lugubrious opoponax, and wormwood. Wow, wormwood is really strong in this blend, alongside carrot seed and something that smells like lemon peel. The pith, not the zest, very astringent and a bitter. I hope this calms down a little, because on initial application, it's like an ice-pick to the sinuses that almost brings on a sneezing fit. It does settle down pretty quickly as it warms on my skin. The sharp bitterness fades and a beautifully resinous opoponax develops, there's a bit of carrot seed (one of my favorite notes), and just a little of the lemon-peel-like note left. This is getting better and better the more it dries down, warmer, sweeter and more resin-like. I think there's some labdanum in the chypre too; or something else giving this more resiny sweetness (it's too subtle to clearly identify). Finaly dry-down is something I'd describe as dark, deep, sweet resins with a bit of carrot seed, with a sparkle of lemon zest and wormwood, though the wormwood is so faint now I'd have to know it was there to smell it. I'm really digging this, so I'm glad I snapped up a bottle!
