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BPAL Madness!

ralenth

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Posts posted by ralenth


  1. Wet: Vanilla bean drenched in a soft musk.

     

    Drydown: It almost smells like mallow. Celeste remains musky and sweetly flecked vanilla bean. As it dries further, the blend becomes more softly feminine in its muskiness. It's simultaneously genteel and seductive.

     

    Dry: Pleasantly sweet vanilla without being too foody. There are occasional tinges of a soft floral, but Celeste remains primarily a vanilla-centric blend.


  2. Wet: Dark, grassy vetiver over a bed of fallen leaves. I see the comparison to Gore Shock, as this feels like a very similar vetiver note, but without the less appealing aspects of Gore Shock.

     

    Drydown: A smokiness manifests on the drydown, but it is still dominated by vetiver. It almost has a sooty coal quality to it for a bit, but then slides back into a more smoky feel.

     

    Dry: A pleasantly subtle smoky vetiver with whispers of a sweet vanilla. This definitely is a lovely marriage between the fallen leaves note, and the vetiver, but isn't overly aggressive or masculine. It definitely smells like autumn.


  3. Wet: Deliciously, dark vetiver.

     

    Drydown: Vetiver is still dominant, but as it dries, red roses burgeon underneath, swelling into the dark crevices. There is a brief flash of a powdery note, but it dissipates quickly.

     

    Dry: A lovely blend of vetiver and rose. Normally, red rose and I aren't friendly, but this is quite lovely.


  4. Wet: Cool frosted jasmine tinged by earthy carrot seed.

     

    Drydown: The earthiness subsides, and I am left with an icy, almost ozone-wrapped jasmine.

     

    Dry: Mellow sweet jasmine. The overall impression is very light, and sweet, with tinges of a chilliness.


  5. Wet: Sagey lavender with tinges of vetiver.

     

    Drydown: Juicy blackberry takes over. The sage curls around the edges, and there is a hint of smoke.

     

    Dry: Soft, slightly smoky blackberry with hints of sage.

     

    Overall: This is pleasant and sweet without being overly foody.


  6. Wet: Dark dusty resins with tinges of sweetness.

     

    Drydown: As it dries, cedar dominates, but then the rose sidles out. She is a classic red rose, which turns green and thorny with my skin chemistry.

     

    Dry: Beauty smells like a more feminine take on a Western. Tobacco and cedar sawdust on the floor interplay with the rose.


  7. Wet: Juicy petitgrain with tinges of vetiver.

     

    Drydown: As it dries, the vetiver comes to the fore. This is a sweeter, more tempered vetiver than in the Haitian Vetiver SN from fall 2012. The are bright flashes of the orangey petitgrain. There is a little bit of the currant peeking though as time goes on.

     

    Dry: Softly orange with vetiver intertwined. The vanilla is faint, rounding out the scent. The throw is minimal.

     

    Overall impressions: Three French Hens is nicely balanced. Vetiver and I are often friends, but I don't find it overpowers this blend at all. Three French Hens is slightly sweet without being overly foody. I think this could be a good gateway to vetiver if you're curious.


  8. Wet: Lusciously fruity and sweet with a hint of crushed petals. No distinct notes jump out at me here.

     

    Drydown: A little plummy, and tinges of violet. Lots of unindentified notes are still swirling in the mix.

     

    Dry: A softly floral dusky plum.

     

    Overall: Quite pretty, though not my usual style.


  9. Wet: Frankincense and rose.

     

    Drydown: As she dries, the jasmine swirls into the mix. It gets spicier as time passes, which must be the cinnamon coming into play. The frankincense mellows, and the rose all but disappears as it develops.

     

    Dry: Muted frankincense with soft blooms of jasmine. There are still tinges of spiciness. The throw is minimal.


  10. Jasmine dominates, but honeysuckle and creaminess round the blend out. Headily feminine. About thirty minutes after application, a sour milk note peeks through, but it settles back down to sweet cream about another fifteen minutes. An hour after application, Eostre is a soft cream with a hint of floral. There is no trace of the initial brazen jasmine.

     

    I loved the wet and drydown stages on my skin, but dry Eostre would make a perfectly inoffensive, feminine office scent. I wish she had stayed a little more "Hello, Miss Jasmine and Honeysuckle." Her final phase reminds me a lot of Nonae Caprotina, but with a soft floral instead of fig and myrrh.


  11. Bottle: Sweet red wine with hints of vetiver.

     

    Wet: Vetiver sweetened slightly by hints of the wine in the background.

     

    Drydown: The balance shifts, and the wine hums softly, underscored by hints of resinous musk and a teensy bit of vetiver. Come back, vetiver, come back.

     

    Dry: Soft, and faintly boozy wine. Very little of my friends, resin and vetiver, to speak of here. Pretty, but ultimately not me.


  12. Bottle: Fruity sweetness that is reminiscent of Fun Dip.

     

    Wet: Grape and bubble gum candy floss. Tooth achingly sweet.

     

    Drydown: A sort of light candied floral. This is hard to pin down, but it is sweet, and wispy. Very light, and hugs the skin closely.

     

    Dry: It's almost a candied sweetpea. Delicate, and innocent.


  13. Bottle: Ethereal aquatic, with underlying cool greenery.

     

    Wet: Pale florals and soft aquatic. If mist could be distilled, it might smell like this.

     

    Drydown: As she dries, the green notes bell out, and a hint of musk and stone peep out from the mists. The musk grows warm, and furry (like a feminine Rat Speakers), and then calms down again.

     

    Dry: Reminds me of Danube a bit, but a muskier older sister who has a thing for marble.

     

    Overall: Unfortunately, Sarah makes me sneeze. She is lovely, but she will have to go live elsewhere.


  14. Aged since 11/2011.

     

    Bottle: Intense resinous floral.

     

    Wet: Aggressive, yet feminine.

     

    Drydown: She gets sweeter on the drydown, but the predominant notes are a visceral musk and amber-tinged vanilla.

     

    Dry: Sweet, complex, but completely gorgeous. It is reminscent of blending Clockwork Couture: Male and Clockwork Couture: Female together.


  15. Bottle: Peppery soft musk.

     

    Wet: Straight up spicy peppercorns. Achievement unlocked: secret pepper single note.

     

    Drydown: The peppercorns dissipate rather quickly, leaving behind a soft skin musk with hints of basalm and a faint pepperiness.

     

    Dry: The end result is a sweet muskiness that clings to the skin with a teensy bit of spice. This is much nicer than I was expecting from its initial stages.


  16. Bottle 122:

    At first, 122 is muted fermented purple grape. It is very soft, but strikes me as being halfway on the way to wine. On the drydown, there are hints of red rose. As it dries, the rose becomes the dominant characteristic, but the effect is very mellow. Overall, on my skin it is very muted with minimal throw.


  17. Wet: Lavender tempered with silky vanilla. Oh, this has aged well!

     

    Drydown: A slightly muskier cousin of Dorian, light and airily sweet.

     

    Dry: This is much closer to aged Dorian than aged Snake Oil on my skin. It has a slight depth that my Dorian does not have.

     

    Verdict: I like this, but I am not sure if it is different enough from my aged Dorian to hang onto it.


  18. Source: Sniffie from BluestBlood

     

    Wet: Sharp, peppery cognac.

     

    Drydown: The pepper takes a backseat, and something akin to French Tobacco SN comes to dance with the cognac. The result is quite pleasant.

     

    Dry: Sweet, and not overly boozy. Ginny becomes smoky without being too sultry, and slightly sweet and effervescent like champagne.

     

    Verdict: I could see myself wearing this on a hot day. I will need to acquire more of this.

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