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LiberAmoris

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Posts posted by LiberAmoris


  1. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away — they have endured but an instant — and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many-tinted windows through which stream the rays from the tripods.
    Dreams writhing to and fro, bubbling up from half-subdued laughter: pink peppercorn, jasmine sambac, and cypress bubbling up through half-subdued white lavender, stabbed through with streams of red musk and black currant.

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  2. There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these — the dreams — writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps.
    A blackened lavender mist, thick with opoponax, licorice root, and benzoin.

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  3. It was toward the close of the fifth or sixth month of his seclusion, and while the pestilence raged most furiously abroad, that the Prince Prospero entertained his thousand friends at a masked ball of the most unusual magnificence.
    Opulent golden oudh, red benzoin, and bitter almond.

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  4. It was in the eastern or blue chamber in which stood the Prince Prospero as he uttered these words. They rang throughout the seven rooms loudly and clearly — for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.
    It was in the blue room where stood the prince, with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who at the moment was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker.
    A sycophant’s polished stench: green musk fougere, lime, and rose-tufted wig powder.

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  5. It was in this apartment, also, that there stood against the western wall, a gigantic clock of ebony. Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused reverie or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes, (which embrace three thousand and six hundred seconds of the Time that flies,) there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as before.
    The chiming of the clock: ebony wood and black pepper, narcissus blossom and tuberose, clanging with dull, heavy opoponax and thick olibanum.

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  6. It was then, however, that the Prince Prospero, maddening with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had seized upon all.
    He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attained the extremity of the velvet apartment, turned suddenly and confronted his pursuer. There was a sharp cry –and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterwards, fell prostrate in death the Prince Prospero. Then, summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and, seizing the mummer, whose tall figure stood erect and motionless within the shadow of the ebony clock, gasped in unutterable horror at finding the grave-cerements and corpse-like mask which they handled with so violent a rudeness, untenanted by any tangible form.
    The wild courage of despair: a screech of blood orange and a splash of blood entangled in a corpse-mask of tattered white sandalwood stained with balsam and a grime-crusted winding sheet.

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  7. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth hand to seize him; so that, unimpeded, he passed within a yard of the prince’s person; and, while the vast assembly, as if with one impulse, shrank from the centres of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple — through the purple to the green — through the green to the orange — through this again to the white — and even thence to the violet, ere a decided movement had been made to arrest him.
    Death unimpeded: bone-white sandalwood, dry cognac, and chilled ambergris accord.

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  8. Lorenz Frølich
    Caramelized patchouli, cream, and thick golden honey.

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  9. Venus Pandemos
    Hay, rose otto, red benzoin, torch smoke, and pink carnation.

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  10. Otto Goetze
    Red roses and vetiver with cashmere incense, rue, and cauldron spices.

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  11. Harrison Weir
    Golden apples, cedar and redwood trellises heavy with grapevine, beeswax, hemp, vanilla benzoin, and bois de rose.

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  12. Pieter Boel
    Sweet labdanum with clove, tobacco absolute, and guiac wood.

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  13. Johann Christian Reinhart
    Brown musk, leather, castoreum accord, white cedar, amber oudh, and clove bud.

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  14. Jacob Jordaens
    A heavy, animalic musk with cognac, fir balsam, grapevine, black cypress, patchouli, honey, and copaiba balsam

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  15. Giuseppe Palizzi
    Black pine, white sage, creeping ivy, and wild juniper.

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  16. Rudolf Koller
    Grapevine and ivy, olive blossom, lavender, cypress, bay leaf, honey myrtle, Tuscany sage, and jasmine sambac.

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  17. Cornelis Saftleven
    Dust, dry incense, parchment, and tobacco leaf.

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