Halloweenie Reviews
Truly the scent of autumn itself -- damp woods, fir needle, and black patchouli with the gentlest touches of warm pumpkin, clove, nutmeg, allspice, sweet red apple and mullein.
In the bottle, I get mostly spices -- allspice, nutmeg, cinnamon and clove -- and a bit of bright, fresh apple. Can something smell crisp? It smells like very crisp apples. On wet, the scent of the spices is pretty strong at first, with apples in the background and a bit of smoke coming through. Dry, this is really lovely. All the scents are well integrated, with nothing really overpowering any of the other notes. I get apples, smoke, and the aforementioned spices. It's very autumny and awesome. I love this.
Another of his sources of fearful pleasure was, to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and spluttering along the hearth, and listen to their marvellous tales of ghosts and goblins, and haunted fields, and haunted brooks, and haunted bridges, and haunted houses, and particularly of the headless horseman, or galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them woefully with speculations upon comets and shooting stars; and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy!
Dried orange peels floating in simmering cider, roasted apples, smoldering firewood, chimney smoke, sassafras beer, warm hawthorn wood, and oakmoss.
In the bottle, this is pure apple cider. Apples, cinnamon, cloves, with a bit of orange peel. On wet, I get pretty much the same thing. Once it begins to dry, the smokiness comes out, with maybe a hint of a mossy green scent. This is really wonderful. I love apple cider scents, and this is everything I hoped it would be.
Vibrant with the joy and sweetness of life in death! A blend of five sugars, lightly dusted with candied fruits.
In the bottle, this definitely smells like sugar, but not straight-up sugar. Like caramel or toffee. It has a deep, slightly smoky scent. On wet, it's much the same, but a slight spiciness begins to come out. Once dry, this is really awesome. Dark, smoky sugar with a hint of subtle spices. Love it!
On All Saints Day, Spanish families visit their loved ones in the cemeteries, keeping vigil throughout the evening, saying prayers for the dead. Family burial plots are cleaned and tended, and graves are adorned with gladiolas, chrysanthemums, and roses. Bone-shaped pastries called Saint's Bones, or the Bones of the Holy, are baked and shared in honor of the souls in Purgatory, and to remind us of those who no longer share our repast, but with whom we one day hope to be reunited with again.
Orange-glazed cake, dotted with anise seed, and filled with custard, set beside a bouquet of celebratory funeral flowers.
In the bottle, this smells like spicy creamsicles. On wet, I still get the creamsicle scent, but the spices and a hint of smoke are more apparent. As it dries, the anise seed begins to come out, and I get a very subtle scent like slightly burned popcorn (but not in a bad way). This is nice. I like it.
Harvest Moon is celebrated in almost every culture, and the bounty of the season is marked in a myriad of ways. Harvest Moon touches the Equinox, the festival of Janus, the culmination of Homowo, the "crying of the neck" in Cornwall, and the Women's Festival of the Moon. This is a day that celebrates abundance and beauty, fertility and progress, and the light of this full moon blesses new undertakings and reunites lost loves.
The Harvest Moon, by definition, is the Full Moon that falls closest to the Autumnal Equinox, and thus, it shares some of that Sabbat's characteristics. This Full Moon was thus named because it rises within half an hour of the sun's setting, in the Northern Hemisphere, and at this time farmers are able to work longer into the night by the light of this Moon. As the year draws to a close, the Full Moon rises an average of fifty minutes later each night, with the exception of a few nights surrounding the Harvest Moon, which only rises 10-30 minutes later. This moon is also, to the human eye, the fullest and largest of the year's Moons, hanging gloriously huge, yellow and low in the night sky, and many lunar illusions play tricks our eyes at this time.
The Harvest ushers in many celebrations, including the Equinox and the Festival of Janus, God of Doors. Janus is the Roman Lord of Gateways, beginnings and endings, and transitions. Thus, the Harvest Moon is a time for blessing new ventures, the onset of new and progressive phases in one's life, and rites of passage into adulthood. This time of year also marks one of the Festivals of Dionysus, Lord of Ecstasy and the Vine.
This Harvest lunacy combines the autumnal scents of balsam fir, cedar, juniper berry, clove, saffron, damson plum, sage, black cherry, and fennel with the crushed wine grapes of Dionysus and Janus' lingum aloes.
In the bottle, I dried, wet leaves, pine and smoke. On wet, it's a little too much pine at first. There's some spiciness as well -- maybe allspice? The longer it's on, however, the more the leaves and smoke begin to come through. Once this is really dry, it's very nice. The pine scent settles down to something manageable and pleasant. I like it.
… blues falling down like hail
And the day keeps on remindin' me, there's a hellhound on my trail …
August 16th marks the day the Devil came to call on the King of the Delta Blues.
Bay rum, bourbon vanilla, galangal, hyssop, High John the Conqueror root, tobacco, life everlasting, and brimstone.
In the bottle, the bourbon vanilla is quite strong. I can also smell the bay rum and a bit of brimstone. On wet, it's pretty much the same, though I start to get a hint of muskiness. Dry, this is really great. Boozy tobacco and brimstone goodness. It smells especially nice on my hubby.
I
Soon we will sink in the frigid darkness
Good-bye, brightness of our too short summers!
I already hear the fall in distress
Of the wood falling in the paved courtyard.
Winter will invade my being: anger,
Hatred, chills, horror, hard and forced labor,
And, like the sun in its iced inferno,
My heart is but a red and frozen floe.
I hear with shudders each weak limb that falls.
The scaffold will have no louder echo.
My spirit is like a tower that yields
Under the tireless and heavy ram blow.
It seems, lulled by this monotonous sound,
Somewhere a coffin is hastily nailed,
For whom? Summer yesterday, autumn now!
This mysterious noise sounds like a farewell.
II
I love the greenish light of your long eyes,
Sweet beauty, but all is bitter today.
Nothing, not love, the boudoir or the hearth
Is dearer than the sunshine on the sea.
Still love me, tender heart! Be a mother
Even to the ingrate, to the wicked,
Lover, sister, ephemeral sweetness
Of fall's glory or of the setting sun.
Short-lived task! The tomb awaits, merciless.
Ah! Let me, my head resting on your knees,
Savor, regretting the white hot summer,
The autumn's last rays yellow and tender.
The scent of the year's fall and the setting sun, ominous and foreboding: dried leaves, charred wood, blood musk, amber, khus, and Nicotiana tabacum.
In the bottle, I get a nice scent of charred wood, leaves and tobacco. On wet, I get smoke, char, leaves, tobacco and something very heavy and flowery/powdery. This does not bode well. I waited for this to dry, but that heavy scent just doesn't go away, and it doesn't work for me. Bummer.
Among these the most formidable was a burly, roaring, roystering blade, of the name of Abraham, or, according to the Dutch abbreviation, Brom Van Brunt, the hero of the country round, which rang with his feats of strength and hardihood. He was broad-shouldered and double-jointed, with short curly black hair, and a bluff, but not unpleasant countenance, having a mingled air of fun and arrogance. From his Herculean frame and great powers of limb, he had received the nickname of BROM BONES, by which he was universally known. He was famed for great knowledge and skill in horsemanship, being as dexterous on horseback as a Tartar.
He was foremost at all races and cock-fights; and, with the ascendancy which bodily strength acquires in rustic life, was the umpire in all disputes, setting his hat on one side, and giving his decisions with an air and tone admitting of no gainsay or appeal. He was always ready for either a fight or a frolic; but had more mischief than ill-will in his composition; and, with all his overbearing roughness, there was a strong dash of waggish good humor at bottom. He had three or four boon companions, who regarded him as their model, and at the head of whom he scoured the country, attending every scene of feud or merriment for miles round. In cold weather he was distinguished by a fur cap, surmounted with a flaunting fox's tail; and when the folks at a country gathering descried this well-known crest at a distance, whisking about among a squad of hard riders, they always stood by for a squall. Sometimes his crew would be heard dashing along past the farmhouses at midnight, with whoop and halloo, like a troop of Don Cossacks; and the old dames, startled out of their sleep, would listen for a moment till the hurry-scurry had clattered by, and then exclaim, "Ay, there goes Brom Bones and his gang!" The neighbors looked upon him with a mixture of awe, admiration, and good will; and when any madcap prank, or rustic brawl, occurred in the vicinity, always shook their heads, and warranted Brom Bones was at the bottom of it.
The butchest, manliest of musks covered in well-worn leather.
In the bottle, I get leather with a hint of musk. On wet, it's mostly leather. As it dries, it's a lovely leather and musk scent, yet somehow manages to smell clean as well. I LOVE this on my husband. It's perfect.
That he might make his appearance before his mistress in the true style of a cavalier, he borrowed a horse from the farmer with whom he was domiciliated, a choleric old Dutchman, of the name of Hans Van Ripper, and, thus gallantly mounted, issued forth, like a knight-errant in quest of adventures. But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken-down plough-horse, that had outlived almost every thing but his viciousness. He was gaunt and shagged, with a ewe neck and a head like a hammer; his rusty mane and tail were tangled and knotted with burrs; one eye had lost its pupil, and was glaring and spectral; but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from the name he bore of Gunpowder. He had, in fact, been a favorite steed of his master's, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.
Carrot peelings, hay, chaff, molasses, maple oats, red apples, stable wood, and musk.
In the bottle, this smells very edible. It's carrots and hay with a lot of molasses and maple oats. On wet, it's pretty much the same, but the musk also begins to come through. Dry, it's pretty much the same again. This is very nice; it smells warm and cozy. It's comforting. Unfortunately, it's not a scent I would wear, much as I love foodie scents. I may try this in an oil burner or something, though.
The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock, perched upon his spindle neck, to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.
. . .
From his half itinerant life, also, he was a kind of travelling gazette, carrying the whole budget of local gossip from house to house; so that his appearance was always greeted with satisfaction. He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather's history of New England Witchcraft, in which, by the way, he most firmly and potently believed.
He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvellous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spellbound region. No tale was too gross or monstrous for his capacious swallow. It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover, bordering the little brook that whimpered by his school-house, and there con over old Mather's direful tales, until the gathering dusk of the evening made the printed page a mere mist before his eyes. Then, as he wended his way, by swamp and stream and awful woodland, to the farmhouse where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination: the moan of the whip-poor-will from the hill-side; the boding cry of the tree-toad, that harbinger of storm; the dreary hooting of the screech-owl, or the sudden rustling in the thicket of birds frightened from their roost. The fire-flies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch's token. His only resource on such occasions, either to drown thought, or drive away evil spirits, was to sing psalm tunes;-and the good people of Sleepy Hollow, as they sat by their doors of an evening, were often filled with awe, at hearing his nasal melody, "in linked sweetness long drawn out," floating from the distant hill, or along the dusky road.
Dusty black wool, tea with cream, black pepper, muguet, and beeswax candle drippings.
In the bottle, there's a very strong beeswax scent, with a hint of tea. On wet, I get beeswax, tea and pepper. There's sort of a popcorn scent. Dry, it's strongly beeswax, with cream, pepper and a hint of tea. I really like this, but unfortunately my hubby thinks it smells a little like pee, so I won't be wearing this much.
The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback without a head. It is said by some to be the ghost of a Hessian trooper, whose head had been carried away by a cannon-ball, in some nameless battle during the revolutionary war; and who is ever and anon seen by the country folk hurrying along in the gloom of night, as if on the wings of the wind. His haunts are not confined to the valley, but extend at times to the adjacent roads, and especially to the vicinity of a church at no great distance. Indeed, certain of the most authentic historians of those parts, who have been careful in collecting and collating the floating facts concerning this spectre, allege that the body of the trooper, having been buried in the church-yard, the ghost rides forth to the scene of battle in nightly quest of his head; and that the rushing speed with which he sometimes passes along the Hollow, like a midnight blast, is owing to his being belated, and in a hurry to get back to the church-yard before daybreak.
Such is the general purport of this legendary superstition, which has furnished materials for many a wild story in that region of shadows; and the spectre is known, at all the country firesides, by the name of the Headless Horseman of Sleepy Hollow.
Grave moss and bone-white sandalwood, with vetiver, gunpowder, artillery shrapnel, and blood.
This smells great. The scents are very well integrated and difficult to differentiate. I definitely get the blood, sandalwood and vetiver notes, maybe a hint of something metallic. I really like this one.
It was the very witching time of night that Ichabod, heavy-hearted and crest-fallen, pursued his travel homewards, along the sides of the lofty hills which rise above Tarry Town, and which he had traversed so cheerily in the afternoon. The hour was dismal as himself. Far below him, the Tappan Zee spread its dusky and indistinct waste of waters, with here and there the tall mast of a sloop, riding quietly at anchor under the land. In the dead hush of midnight, he could even hear the barking of the watch dog from the opposite shore of the Hudson; but it was so vague and faint as only to give an idea of his distance from this faithful companion of man. Now and then, too, the long-drawn crowing of a cock, accidentally awakened, would sound far, far off from some farmhouse away among the hills-but it was like a dreaming sound in his ear. No signs of life occurred near him, but occasionally the melancholy chirp of a cricket, or perhaps the guttural twang of a bull-frog, from a neighboring marsh, as if sleeping uncomfortably, and turning suddenly in his bed.
Moonflower, night-blooming cereus, white hellebore, English ivy, monkshood, angel's trumpet, oleander, and eastern hemlock.
In the bottle, this smells really lovely. Green and floral in the soft, not-too-sweet way that I like. It does smell like the outdoors at night. Unfortunately, on me, it just smells a little too soapy. Bummer.
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